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HEALTHY VISUAL COMMUNICATION - (05/03//25) RTW
Quadrant Design: AI-Assisted visual communication
This is not just design—it's a revolution in AI-assisted, user-centered creativity. Designed for all people, our system ensures inclusivity, accessibility, and communication clarity with any canvas. We merge innovation and intent (type, color, scale, and composition) to deliver designs that are impactful.
Determinging Font sizes for inclusive reading
Maximize communication of any canvas/screen at any size or distance, making it visible for all ages
We took the capacity of St. Peter's Basilica (60,000 seats) and developed a font size, typography, (colors) and composition that can be viewed by even accesible needs at the back of the church. All visual communication will accommodate the size of the LED/Projector of the Church, ministry or small group.
Determine what visual communication you need below with our quadrant design calculator belowThis God-given approach to visual communication is an AI-assisted system that enables us to gather vital information related to graphic design. It helps ensure that both visual and typographic elements are clear and concise for all ages and abilities, including those with accessibility needs. With 20 years of design experience, this system assists us in carefully selecting compositions, scale, color, type, and pairings to deliver clear information to our audience.
The primary focus of Quadrant design is to provide support to visual aid needs in churches; it is also applicable to any canvas and category.
(Note) Picture shows us the average senior who may be attempting to read a presentation screen of worship information during service.
UNDERSTANDING COMPOSITION AND SPATIAL DESIGN
finding Proper usage of any given space
We aim to reach diverse audiences uniquely by strategically maximizing any canvas, page, or screen with thoughtful color, objects, and typography. We prioritize clear, readable design for impact and positive engagement, while also considering audience culture and message resonance.
Beginning Work and QUADRANT WORK
2009
2009
This is not one of the assignments given to me by a church, but a result of personal study and revelation. Achieving this visual took hours of study and planning. When you read the scripture, consider how many light sources need to be factored in with the subjects and their clarity. You cannot rely on too many words; instead, you must find a way to make a concept of 10 million words clear and understandable to anyone.
For example, the sword coming from His mouth was represented by a rainbow diffused through a prism—since God is light, and all things come from Him (ROYGBIV). The clouds were darkened to highlight His radiance, along with candles, lightning, and thunder. The render took almost two days, using Bryce 3D, Daz, and Photoshop.
This reflects God-given talent from birth, collegiate education, and passion. How long would it take to train someone to develop this level of work? If we were to screen print or digitize this, how many colors would be needed? What would the cost be? How readable would it be from a distance? This project combines education, hobby, and revelation.
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2009
Everything was inspired by Luke 15 and the story of the prodigal son. Like Rembrandt, James Tissot, and others, I focused on the simple production of the entire scene, as well as the equal love God has for all persons. If I focused on a race or class, some others would feel left out. The white background and ambience draw all people. Rembrandt’s version included three subjects, while James Tissot depicted a city scene. In terms of production time and detail, this is suitable for a Sunday service that can be lengthy or for a project like a book or poster. To elaborate on the Father's blessings to both sons, I portrayed the raised hand of Christ and used the illumination of Heaven to further emphasize God's impartiality toward all people.
This is one of a set of works I did with that ornate background and scripted font, including "Everything," "Walking on Water," and "He is Risen."
Do you know that before Diego Morgado (2013; The Bible) was cast in the movie, showing him looking through the hand God gave, I had this same revelation? (Below Image)
Where did it come from? It's comparable to Caravaggio's The Incredulity of Saint Thomas. I was reading about the appearance to Thomas and the visual communication of overcoming skepticism of God as a Father. I think this was done between 2010-2012 because of the change in our logo.
How you place the hand to a reader is the visual objective of annulling skepticism.
It's not just Thomas looking at his hand. Where scripture calls his appearance.
You see Christ's face through the hand.
(Seeing the red of his flesh in the illumination are the little things that make it photorealistic.)
Production Time: 2–3 hours using 3D, Photoshop, and Daz.
2025
2025
"Easter messages have to be really clear. It is the most packed-out day. We put on our best for Jesus. It's not just called "Easter" its Resurrection Sunday. How many weeks and themes are involved (Inclusive to Good Friday, Palm Sunday, and Pentecost; Guestimate your production and family styling)
This year, we focused on the same theme, which will be our annual theme: "He is Risen," respecting individual congregational leadership. Editable templates so even with print and translations they are affordable and accomodating. (Rev 7:9)
One typeface, one outlined design, Header large enough for the entire sanctuary,metaphor (Outlined Text; Opaque) to be respective of being raised and emptied (Phil 2).
God is not the sun...but it is the most understandable source of unapproachable light we can conceive. (Scripture: 1 Tim 6:16)
Why did I choose that scripture as a general?
The hope to be inclusive to the overall resssurection sunday theme.
Product time: Under 1 hour. Photo source: Illustrator/Adobe Express (easy learning curve for volunteers).
Clarity for branding:
From signs to promotional marketing the signage, font, and simplicity is clear to understand that theme.
Notice the outline: "He is Risen" how much does the line have to be in weight to represent its subject and outreach to the back of a sanctuary or audience.
Updated Solution Below